Time Off to Slow Down
/It was as if I’d stepped off of a year-long roller coaster ride and even though my feet were now on solid ground my insides continued to churn.
Read MoreIt was as if I’d stepped off of a year-long roller coaster ride and even though my feet were now on solid ground my insides continued to churn.
Read MoreWithin your oral cavity, you now have both descent (your mandible resting down) and ascent the subtle lift of your tongue. Notice what that does for the sensations at the juncture of your head and neck.
Read MoreAs a Rolfing® practitioner, I've observed that tension in the elbows affects the whole body. Habitual flexion there, however slight, pulls the upper arm forward in its socket, starting a chain reaction that pulls the shoulder blades forward, and the collarbones and chest down, and the neck forward. Elbow tension often corresponds with flexion in the spine just behind the diaphragm, and that interferes with fullness of breath. The postural end result feels, and certainly looks, nothing like the upper crust ladies of Downton…
Read MoreSince I’m not prolific—one every 10 years is all I can manage—it was easy to forget how stressful writing a book can be. I’m organizing the new book in a non-linear way, so I keep reviewing and revising–I want to hold it all in my mind and not repeat myself. This takes time and patience. Despite my efforts to stay present with the process, I experience surges of fear that I’ll never see the last page…
Read MoreI often observe a particular pattern of tension in nurses, mothers, and caregivers in general. It’s a pattern of being ready to help at a moment’s notice. If you have this habit, you’re likely to complain about neck and shoulder discomfort. The source, however, may be lower down in your arms…
Read MoreFinding the sensation of healthy support from his feet made a lovely difference in Eric’s life. In the accompanying video this musician/songwriter shows how his musical expression changes depending on how he lives in his feet.
Your body can move around in the world without your being fully present in it. You may have good body awareness in general but lack presence in specific parts or areas of your body. In the video, Eric speaks about “finding his cuboid.” He’s referring to finding awareness in a specific region of the foot that activates better organization of the entire lower extremity. For more about foot organization, see Know Your Feet, my online workshop.
Read MoreNot long ago Katy Fox, an artist and yoga instructor in San Francisco, contacted me because she had found The New Rules of Posture useful in her work. She also wanted to share her own vision with me. Katy has a huge vision–nothing less than the re-embodiment of our culture.Sensibly, she’s starting small. The week following our conversation she launched her first embodied public space: Soundscape of the Human Heart. She was pretty jazzed about this when we spoke…
Read MoreWalking through a natural setting, among trees and rocks, accompanied by wind sounds and bird cries, your body feels and moves differently than it does when you walk through an environment of glass, steel and straight lines, like an airport. Your emotional state, the rhythm of your gait, your sense of yourself — it’s as if your bodymind airportmirrors the terrain — the varying textures and spaces of nature, or the hard, flat surfaces of the man-made world. Your perceptions shape your posture and steer your movements…
Read MoreI love my accountant. The walls of his office display a 40-year collection of IRS cartoons, and he does everything he can to keep our yearly meeting light. But there’s nothing like an hour’s contemplation of tax code intricacies to make your head spin and put kinks in your center line. Money, when you have to part with it, compresses the body. Which is how I walked out of the office…
Read MoreBelow is a video I made for one of my Skype coaching clients. She’s a petite woman who is learning to play the sitar, a difficult and awkward instrument to tune as well as to play. I've been helping her with her sitting position, and with pain in her left shoulder that had become severe enough for her to seek medical help. The exercise I shared in this video has helped her exchange upper shoulder tension for secure support that links her shoulders to her mid-back. The video also includes a brief review of abdominal support and pelvic inclination. Many musicians—most anyone who plays a stringed instrument—could benefit from this exploration. Not to mention non-musicians who simply have a habit of loading stress into the upper shoulder area…
Read MoreA year ago I posted a piece about the relationship between joint pain and digestive abuse–an after-effect of holiday cheer. You’d think I’d learn, but guess what? This year I’m fessing up again, with a different twist. Beginning in December I experienced pain in my right hip, with radiating pain down my right leg and into my knee and low back stiffness. This was demoralizing because I’d been low back pain-free for three years, ever since becoming sincere about tending to my deep core strength. The pain was weirdly intermittent. A good Pilates class seemed to chase it away, but in a few days, back it came…
Read MoreThe attached video is a holiday gift to my subscribers—a de-stressor practice. But it actually has a further purpose. When we walk, our spines are designed to move in two counter-rotating helical patterns. This movement is the basis of our contralateral walking gait; it’s why our arms and legs swing oppositely when we walk…
Read MoreA great many well-meaning teachers, psychotherapists, gurus, and friends have suggested to me or to others that when we’re under stress we need to take a deep breath.
I don’t agree.
Read MoreIf you read between the lines, you probably sense that under the banner of “The New Rules of Posture,” I’m actually sharing a somatic practice–a physical path to self-knowledge. Here’s what I wrote in The New Rules: to improve your posture you need to 1) “create new sense memories for what feels balanced and stable…” and 2) view “your posture as an ongoing perceptual process by which you orient yourself to gravity and to your relationship with the people, objects and events in your world.” Not something you do once and forget about. It’s a practice…
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